当前位置首页剧情片《镜子的另一面:纽波特民歌艺术节1963~1965》

镜子的另一面:纽波特民歌艺术节1963~19656.0

类型:剧情 美国 未知

主演:Bob Dylan Joan Baez Judy Collins 

导演:Murray Lerner 

无需安装任何插件

咪咕云播

剧情简介

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

猜你喜欢

  • 正片

    达达达达达利

  • 正片

    有你真好!

  • TC人工中字

    泳者之心

  • 正片

    有你真好!

  • HD

    完美的晚餐

  • HD

    完美的晚餐

  • HD

    在一月的声音里刻下喜悦

  • HD

    不砍梅树的傻瓜

  • HD

    珊瑚护卫队

关于《镜子的另一面:纽波特民歌艺术节1963~1965》常见问题

    1、《镜子的另一面:纽波特民歌艺术节1963~1965》讲述的是什么故事?

    咪咕电影网网友: "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

    2、《镜子的另一面:纽波特民歌艺术节1963~1965》这部剧中的台词,你怎么看?

    神马电影网网友:最近《镜子的另一面:纽波特民歌艺术节1963~1965》上映了,没想到制作方非常地慷慨,一来就放全集,观众们可以一口气从第一集看到大结局。这部剧中演员们的高颜值是一大亮点之外,它里面的台词也非常的搞笑啊!台词沙雕中带着可爱。

    3、《镜子的另一面:纽波特民歌艺术节1963~1965》有多少集?

    被窝电影网友:超清。具体总集数可以去百度问答看看

    4、《镜子的另一面:纽波特民歌艺术节1963~1965》几年几月几日播出

    青苹果影院网友:截止到未知,《镜子的另一面:纽波特民歌艺术节1963~1965》更新至超清。

    5、哪个网站可以免费看正版《镜子的另一面:纽波特民歌艺术节1963~1965》

    艾玛影院网友:除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、爱佳剧影院、百度视频等平台去看正版视频。

    6、在《镜子的另一面:纽波特民歌艺术节1963~1965》这部剧中,你觉得Bob Dylan,Joan Baez,Judy Collins,的演技怎么样?

    影视大全网友:最近有Bob Dylan,Joan Baez,Judy Collins,等演员主演的剧情 影视一经播出就受到了很多观众的欢迎和认可,这部剧情 影视里面,演员的演技都是非常值得肯定的,我觉得Bob Dylan,Joan Baez,Judy Collins,在里面的演技非常的好,他能够去把握这个角色所要表达的情感,向观众展现出更好的作品

    7、《镜子的另一面:纽波特民歌艺术节1963~1965》剧情片 演员有哪些,导演是谁?

    人人影视网友:有以下演员主演:Bob Dylan,Joan Baez,Judy Collins, ,导演是Murray Lerner 。

    8、手机端软件app怎么免费看《镜子的另一面:纽波特民歌艺术节1963~1965》剧情片

    秋秋影视网友:您可以用手机打开百度APP在搜索框里输入:镜子的另一面:纽波特民歌艺术节1963~1965手机在线观看免费,就可以找到免费正版播放资源了。手机免费看镜子的另一面:纽波特民歌艺术节1963~1965网址:http://www.sshsz.com/youku86318.html,这个网站免费无广告。

    9、哪个软件可以看镜子的另一面:纽波特民歌艺术节1963~1965

    小草影视网友:很多地方都可以看呀,我是在淘剧影院上看的,打开APP后直接搜索“镜子的另一面:纽波特民歌艺术节1963~1965”就能看了。

    10、《镜子的另一面:纽波特民歌艺术节1963~1965》评价怎么样?

    豆瓣电影影评:我其实是想给镜子的另一面:纽波特民歌艺术节1963~19654颗星的,但是稍微回味了一会儿,觉得它不值,还是三星半吧。其实,我一向对剧情片非常宽容,甚至可以大言不惭的说,在国内和国际制作水平差距极大的情况下,我就是“双标”——都不在一个起跑线上,根本没法比呀。所以经常出现国外影片堪堪尚可,我却只给三星及格,剧情片只是稍微拍出了一点点好看,我就会给三星及以上,如果演员演技爆炸或者剧本极佳,我也不会吝啬我的5星,但是如果按照给国外影片打分的标准,这些剧情片可能通通都只能有三四颗星以下。

    丢豆网影评:剧情很流畅,人物也很丰满,节奏把握的很好,很有年代感。没有过多煽情,每个人物都发挥了作用,细节也很到位。整个影片三观也很正,主演员们感情真挚,总体来说,可以和朋友一起看,推荐!!!

    mtime时光网影评:第一次这么喜欢一部剧的女主角这个角色 聪明 独立 淡然 很有自己的主见 特别是略微带有的那一点狡黠 真是可爱极了!

    烂番茄影评:男女主角真是清新可爱,看了之后,让我蠢蠢欲动,非常想早恋,可惜已过了早恋的年龄,o(╯□╰)o

绅士电影网所有视频和图片均来自互联网收集而来,本网站绅士电影网只提供web页面服务,并不提供资源存储,也不参与录制、上传
若本站收录的节目无意侵犯了贵司版权,请发邮件至yyhanju#163.com (我们会在3个工作日内删除侵权内容,谢谢。)

Copyright © 2008-2022

网站地图RSS订阅百度蜘蛛谷歌地图必应地图360地图搜狗地图